鋼琴家電影影評英語怎麼說

Ⅰ 鋼琴家用英語怎麼說。求解答

pianist
中文諧音：皮安尼斯特
國際音標：['piənist, 'pjænist] n.

鋼琴家 例句 1. I hope his dream of becoming a pianist will come true. 我希望他成為鋼琴家...

Ⅱ 英語電影《鋼琴家》如50詞左右觀後感英語寫

範文：In the film, although Spearman escaped from death again and again with the help of various friends and strangers, in that group of people, human nature is not always simple and great.

The pianist shows how the environment shapes people and makes people grow or distort in the "troubled times" with only terror, loneliness and instinct.

The impact of war on human hearts is beyond our imagination. What is more valuable is that the film lens is extremely calm and objective, avoiding all complaints and sensationalism.

該片中，斯皮爾曼雖然在各種朋友、陌生人的幫助下一次又一次死裡逃生，但在那群人里，人性並不都是單純的、偉大的。

《鋼琴家》所展示的是，在只剩下恐怖、孤獨和本能的「亂世」里的眾生相，環境究竟如何塑造人，讓人獲得成長或者扭曲，戰爭對人類心靈的影響超出我們的想像。而更可貴的是，影片鏡頭極度冷靜、客觀，迴避了所有控訴和煽情。

Ⅲ 急，幫我把《海上鋼琴師》影評翻譯成英文

1st January 1900, ship crew Danni picked up a abondonded baby on the piano inside the hall of the ship， and he named this baby 1900. 1900 grew up happily under the care and white lies of Danni. After the accidental death of Danni, 1900 came to the hall by chance and he saw the piano for the first time. Now, the legend of 1900 begins.

Life is like the passangers on the boat, abroad, getting off aboard and getting off again, in this sequence. to 1900, there is nothing more about life. Although he lives on the sea, but he has looked through all the honour, lonliness, gain and fall of life amoung the men on the land around.

at last, this talented man is going backto the sky, the heaven. Are there pianos in the heaven? at the time of the explosion of the ship, 1900 played his hands in the air, the beautiful fingers move as the background music flows, as if knocking on the doors to heaven.

Ⅳ 戰地鋼琴師 影評 英文翻譯

Pianist adapted from British playwright Ronald - Harwood to write a "World War II" ring the Polish Jewish survivors yaladysrou - Spearman's biography.
I have seen in the film is a reflection of war is a reflection of human nature is the art of worship, is depicting the life and human nature, is unable to tell whether a history of deep contemplation.
Music and camera film processing are very Appropriateness, music just sounded four times, titles, pianist played on the radio, it was the last play before the battle, long fingers and flying of spirit, his aura of art side, unfortunately stations were attacked, but he insisted playing, until forced to leave; the middle one is hiding in the house pianist, slender, and has dirty hands on keyboard at the top, beautiful music in the illusion sounded, all the awkward old, and only love of art still; the third time in the ruins of the house in front of German officers, that is a soul touching voice; the fourth is on the radio, post-war recovery of the Warsaw radio station, we see and hear the time and war can not go with anything, the soul and essence of civilization. There are scenes in the Warsaw Ghetto, the first night of the massacre, the lens quiet from the bottom, along the Spearman family line of sight, down the pace of German soldiers, a clear line was almost beyond belief.
Spearman finally broken in the house, hiding in his military officer in Germany before the playing of Chopin's first Ballade, the bunch of moonlight straight from Spearman shed to the top of the left shoulder, the kind of light symbolizes a kind of sacred; have a bunch of astigmatism in the German officers to fight the front, and this light treatment, this made us think he is like a penitent sinner.
Film tells us that human nature can not be washed within and between populations of a thing, but it's dirty and not washed, though reluctantly, but it is the most real. It is also worthy of our reflection, let us be content to benefit from a lifetime thing. Perhaps this is the theme in a nutshell, it eventually.

Ⅳ 海上鋼琴師 英語影評

Legend Of Film CriticsPianist, I saw quite a few times, and each time playing hero superb way to attract.Pianist, I saw quite a few times, and each time playing hero superb way to attract.Until finally the piano on the tobacco burns, my emotions rise to the extreme, without reservation vent out.Fast approach, focused expression, quiet environment, everything always flashed in my mind again and again shocked to Heaven.Hero was born in the ship, grew up in the boat, and finally buried in the sea with the ship together. Lifetime, he had not been under the boat, even if only once, and he finally gave up. All the land so that he was afraid, I looked boundless land, can not see on the streets of tall buildings, he will cap off his head and thrown into the sea. The moment he gave up the idea because of love arise, to give up his love for the woman's.In the end, said it is regrettable. But this outcome is the best pianist and his all back to the sea, because he was born in the sea, grew up in the sea.He is the little man know Legend Of -1,992

Ⅵ 鋼琴家 英文影評

The Pianist is an astonishing and harrowing depiction of the breakdown, and restoration, of the human spirit by degrees, made all the more personal in the retelling by Roman Polanski's having lived in Nazi-occupied Poland as a child at the time of the events chronicled.

The Pianist seems more about images than story, largely silent, and even devoid of music, until the end, when we're awash in glorious, redemptive concert.

The film opens in Warsaw in 1939, with celebrated composer and pianist Wladyslaw Szpilman (Adrien Brody) performing the last live radio musical broadcast, Chopin's Nocturne in D, even as German bombs were exploding around him. Finally forced to flee when the radio station is hit, Szpilman rushes home to his family, who have always lived in privilege e to Wladyslaw's status as a musician.

Szpilman and his family are able to escape deportation for a time by working as demeaned laborers for the Nazis, he has a piano player in a Jewish restaurant. When the rest of his family is rounded up in cattle cars and shipped to a concentration camp, he is again ironically saved by his music when he is taken aside by a policeman who admires his work and allowed to remain in the Warsaw ghetto. By now terribly fragile, Wladyslaw must fight for survival in the ghetto through hiding in the underground, censoring his behaviour, and relying on the kindness of old friends and strangers.

Some of the most horrifying and wrenching scenes are those shown in silence: A man in a wheelchair being pitched over a balcony; people in the ghetto being forced to dance for the amusement of the Nazi officers; a starving man trying to wrest a pot of beans from a woman's hands, then groveling on the ground for the spilled food. Moving, too, is the scene where Szpilman is helped into hiding in a flat with a piano. Warned of the need to be quiet, he "plays" with his fingers inches from the keyboard, hearing the music only in his head.

Most effective are the pivotal scenes between Szpilman (once again literally saved by his music, when he is forced to play what he is certain is his last piece) and the German officer (Thomas Kretschmann) who brings him food and a coat (which ironically is nearly the death of him).

The Pianist is a beautifully written (Ronald Harwood), directed (Polanski), photographed (Pawel Edelman), and acted (Brody and all supporting players) tale of devastation and survival, a praiseworthy effort all around.

Ⅶ 急求《鋼琴師》的英語影評

這里找到幾篇，僅供參考：

·Based on the true story of one extraordinary man's life in occupied Warsaw ring World War II, The Pianist marks the first time Roman Polanski has tackled the subject of The Holocaust, a historical event which directly affected his own life. This captivating, harrowing yet unsentimental account has plenty for movie fans, music lovers and the historically involved.

While giving a recital of Chopin's Nocturne in C# Minor for Polish radio in Warsaw, Wladyslaw Szpilman (Adrien Brody) is interrupted by Hitler's advancing military machine. As the civilised society inhabited by Szpilman and his Jewish family graphically begins to fall apart, Szpilman relies ever more on luck to see his way through the ghettoisation of the Jews, and the subsequent liquidation of the ghetto. Along the way, exactly who is good and who is evil is questioned as we see, in Polanski's words, "decent Poles and evil Poles, decent and evil Jews, decent and evil Germans".

From the early indignity of having to wear identification armbands and being barred from bus seats and restaurants, through the confiscation of homes and property to the indiscriminate killing practiced by Nazi officers, The Pianist feels like a personal experience rather than a director's attempt to summarise every fact of the period. It benefits from the approach.

And as the subject matter would suggest, this film not for the faint-hearted. Scenes of persecution and murder are depicted in chilling detail, while the supporting cast - including Maureen Lipman as Szpilman's mother - are faultless at portraying compelling characters. Brody, however, is the revelation. His cultivated good looks and engaging delivery are more than a little suggestive of Nigel Havers at his best. But after the liquidation of the ghetto, his family's forced departure and Szpilman's escape into the ruined cityscape around him, Brody turns his hand to playing a desperate man with disease-inced injuries and epic quantities of hair. And he's just as convincing - for he never once makes him a heroic figure.

The role of Chopin's exquisite music is of course paramount in the story. Through the central section of the film, which features little dialogue, Szpilman's long battle simply to stay alive is borne out by the lack of music. In one heartbreaking scene, he is put up in a safe house and finds that a piano has been left in it. Yearning to play it but fearful of discovery, he resorts to "air piano" - his fingers playing the piece an inch above the keyboard. And when, later, he is discovered by a benevolent Nazi commander (Thomas Kretschmann), the reintroction of music into the film as Szpilman plays literally for his life is as compelling a cinematic event as you'll see all year, and one of the film's most astounding.

Brody is magnificent throughout in a performance worthy of a slew of awards, and Polanski's direction is at once restrained and personal, making for a film that sits alongside the best accounts of the Holocaust, including Schindler's List. The accurately rendered sets, based around a recreated complex of Warsaw's streets in the Babelsberg Studio, an old Soviet army barracks, a small town in the former East Germany and the rundown Warsaw district of Praga, convey an incredible authenticity. And Anna Sheppard's costumes for the cast of - literally - thousands display a remarkable attention to detail.

And yet the most astonishing aspect of The Pianist is the story on which it is based, penned by Wladyslaw Szpilman himself. The composer died in 2000, at the age of 88, a few months before proction of this film began. Intense, epic and moving, his account of World War II is ultimately one of an ordinary man forced by circumstance to be extraordinary - and helped not a little by Lady Luck. The Pianist is a fitting memorial for the man, his people and the suffering they enred.

·The true story of Jewish pianist Wladyslaw Szpilman battling to survive the Nazi menace in the Warsaw ghetto of World War II, Polanski here draws on his own experience as a Holocaust survivor; one who witnessed his parents being dragged off to concentration camps and one who himself made a narrow escape.

The director turned down Steven Spielberg's offer to direct Schindler's List (1993) because, he insists, the material was too personal and too disturbing. The true horror was just more truthful than Roman felt comfortable with.
Strange, coming from the man who gave the world Rosemary's Baby (1968) and Repulsion (1965).

Still, his patience paid off: Not counting the fevered Oscar buzz around the picture, the diminutive Hollywood exile picked up the Palme d'Or at last year's Cannes and pretty much swept the board at most other critics' awards. (Famous English playwright and screenwriter Ronald Harwood and lead player Adrien Brody have also been lavished with praise across the global circuit.)

Although in the main this movie is cool and detached (much as Schindler's most definitely wasn't), Polanski is mindful to show as much compassion as he is the cruelty. There's no clear cut good and evil here: Good Jews mingle and come to blows with bad Jews, just as good and bad Poles are shown suffering the same predicament.

Care is also taken to show that, maybe, not all the German soldiers were raging psychopaths after all.

Everything is seen through the eyes of our central character, from the beginnings of his lone struggle to the dramatically intensified latter stages of hunger and total destitution.

Brody retains balance from start to finish and underplays the role to perfection, at the same time having us fear for his health.

Great support from, among others, British stalwarts Frank Finlay and Maureen Lipman as his parents add to the overall air of passivity and vulnerability that is finally smashed to smithereens.

Well worth the hype for once.

·THE PIANIST
**** New Roman by Polañski
Reviewer: Artur Kalicki from Warsaw, Poland
I put my signature under the words of Mr. Keizer. However, I do not share the opinion that "The Pianist" is not at the level of "Schindler's List". Though it is rather sure it will not be nominated for Oscar next year.

*****
Reviewer: Jazzo from Canada
I suppose that "happy ending", 「melodramatic knockout 「 or 「Nintendo Games」 are recipes for Oscar . No wonder, 99% of Hollywood proctions just do that. 「Though certainly not at the level of "Schindler's List," "The Pianist" is a worthy Holocaust drama and a welcome return to form for Roman Polanski.-Mark Keizer 「 That the reason way, Mr. Reviewer. You should have more Kaiser』s buns before doing any movie』s reviews

***** The Most Important Movie To The Shoah History
Reviewer: Hans Werner from Berlin-Germany
Schindlers List was a story of one German. The Pianist is a story of one Jewish pianist and is a kind of resume of the most important events in the modern history of the world. It is a mistake to put this two movies into one review.

*****
Reviewer: Mack Sacco from California
At the end of the movie, not one person in the large audience stood up to leave...something I have never seen in a Polish audience. No one talked...we all just stayed till the last credits disappeared. This movie is honest without being depressing. If you force me to choose between "The Pianist" and "Schindler's List", I would chose the Polansk proction, but perhaps we are talking about apples and oranges. I would agree with Hans Werner's statement that "it is a mistake to put this two movies into one review."

***** Hollywood Hallucination
Reviewer: Non-Hollywood Reviewer from Netherlands/South Africa
Apologies for my biased opinion, but Its really infuriariting to see comments saying that this film is not of the "Schindlers list" standard. Granted - Schindlers List was a skillful piece, fit for hollywood with big name actors and fast-food digestible script and feel. It doesnt come close to the emotive realism, intense artistic sublety and irony of the pianost - a true artwork. As sad a story it was, it was enriching in both a true display of history, art and the human psyche. Personally, the only other film I can think of in this leaugue in this genre is "Life is Beautiful" which although shockingly different in its approach - was layered in the tragedy of truth and the courage of character. Definitely recommend this one.

*** I Must Disagree
Reviewer: Anonymous from Anonymous
Beautifully acted and filmed, the movie provides an accurate chronicle of historical facts, but presents nothing new emotionally, intellectually or historically.

**** Sad But Real
Reviewer: Eitan from Israel
It is good that we have films to remind us of the Holocaust, because it seems that the world is forgetting. It is not Schindler's List, but performed beautifully and delivers the message.

(none) Oscar for Polanski?
Reviewer: Kevin from Anonymous
Maybe he'll come to pick it up in person. Then the cops can finally throw his butt in jail where it belongs. http://vachss.com/mission/roman_polanski.html -k-

***** Go See It
Reviewer: Conrad from San Francisco
If you like short, quick and shallow Hollywood stories, then this movie is defiantly not for you. Great movie. Nothing is sugar coated or dramatized.

***** 5 stars for The Pianist
Reviewer: Anonymous from Anonymous

***** A true shock to the system
Reviewer: Kathy from England
Schindlers List was number 1 on my list until I saw The Pianist. This one really does leave you with far more of a feeling of devastation. The tears of the German Officer summed up the utter futility of killing other human beings. The ending is just how it should be, not sugar-coated.

***** A Masterpiece ....
Reviewer: LR/P from Virginia
"The Pianist" is a hard movie to watch, which is as it should be. It is impossible for me to comprehend how anyone could treat other human beings the way the Jews were treated by the Nazis, which is also "as it should be". I don't want to be able to understand the horror. I want to believe that I am too "human" for that. "The Pianist" stars Adrien Brody, Thomas Kretschmann, Frank Finlay, Maureen Lipman, and Ed Stoppard. It was directed by Roman Polanski. "The Pianist" is not "Schindler's List", although both movies deal with the horrors of the Holocaust. "The Pianist" takes place in Warsaw, Poland, and depicts what happened when the Nazis invaded Poland and walled off a portion of the city to keep all of the Jews in one place -- then systematically shipped them off to be killed. "The Pianist" tells the true story of Wladyslaw Szpilman, a composer and pianist, as his family was stripped away while he managed to survive with the help of many people who were, themselves, killed for harboring him. Eventually he was alone and struggling to stay alive, only to be found by a German officer who spared his life and helped him stay hidden because of his music. "The Pianist" is cold, ugly, and full of despair and hopelessness. Yes, "The Pianist" survived -- how else could his story have been told? And at what cost, his survival? Lots and lots of people should not see "The Pianist". Perhaps I am one of them -- but I did see it. I sometimes awake at night, and cannot believe the absolute horror of it. Perhaps "The Pianist" is a masterpiece. Yeah, it probably is. No, it isn't "Schindler's List", but there is no reason why the two must be compared. They are different movies about the same atrocities. Beware -- be forewarned -- "The Pianist" is a very hard movie to watch.

*****
Reviewer: Anonymous from Anonymous
I think we shouldn't forget that this film is based on a real story. It has a happy end because it's just what happened. Somebody had to survive the War and surviving it was a miracle, so the film had to have a happy ending. The another important thing about this film is that it's a German who eventually saves Szpilman. It shows the history in another light.

**** Polanski's Matured
Reviewer: Linda from Memphis
This is the best Polanski film since Rosemary's Baby. He's always been arrested (no pun intended) by what's weird in the world, but this time when he openly shows human horror, it isn't concocted for shock, but delivered with sincerity and respect for the truth. In this way, Polanski is perhaps purified by getting off his chest what disturbed him so deeply when he was a child. It was a quiet film in many places, which allowed viewers to feel the solitude of the lone and lonely Jewish survivor, the pianist.

**** Must See
Reviewer: Danielle from Tennessee
Though not as stylized as Shindler's List, The pianist is just as beautiful in its treatment of painful history. Following the horrors and confusion of the holocost through the eyes of an intelligent and sensitive muscicion, this film touches viewers with its honesty the portrayal of beauty, art, love, family and the best elements of humanity stuggling to survive in the midst of the worst aspects of humanity.Watching these sorts of movies are not "enjoyable." They are necessary.

*****
Reviewer: Frank Hodges from Liverpool
I wanted to applaud at the end of the film

***** Well Done!
Reviewer: Texas Tea from Houston, TX
This movie deserves better than being compared to Schindler's List, or any other movie. It was compelling, without being depressing; it was entertaining without being obvious. It was a good movie, the kind that will stay with me for a few weeks. Thank God countries like England, Russia, and America allied together, and eventually liberated those poor souls (the Polish people as well as the Jews). Thank God England and America still have enough sense to know that allowing history to repeat itself is unacceptable. I think Russia will come around, but Germany and France continue to bury their heads in the sand. Perhaps e to financial ties to Iraq, and their oil. The people of Iraq are as suppressed and tormented as the Jews of 1939 - 1945 in Warsaw were. REMEMBER THAT the next time someone says that the true evil is England and USA. We know where EVIL resides, and it WILL BE DEALT WITH!

***** Excelent
Reviewer: Juan Gluecksmann from Vienna
Excelent!! I was confronted to a reality: in 1938, as a 2 month old child I was saved by my mother in Vienna, and taken to South America. Later, returning to Vienna I could inmagine the horror, which I totally confirmed watching this extraordinary movie. Black and white, adding a sour note, and real scenes, as real you can inmagine.

(none) Rapist
Reviewer: Kristina Peterson from California
I guess it doesn't seem to bother many people that this man raped a 13 year old child, flees the country 25 years ago to avoid punishment, and now is honored. What is our world coming to.

**** 1/2 The Value Of The Music
Reviewer: Judy from Milwaukee, WI
One of the other reviewers, from California, mentioned that the entire audience stayed for the credits at the end of the film; it happened in my theatre too. No one could leave while that magnificent music was playing over the list of credits -- its beauty was a necessary catharsis for the sorrow and anguish and violence and emotional intensity of the film. If I was ever in doubt about the power of music to heal and to inspire and to "make us human", this film validated everything for me. Stunning performances all around - incredibly true-to-life filming with sets and costumes; full of symbolism on every level. Knowing that this film was an adaptation of an autobiography didn't really help to make it easier to watch, though. You knew from the start that The Pianist would live - but look at what he lost, and how many good people died! Some movies are "see-again" films for me; I could never bear to sit through this one again.

**** You Must See...
Reviewer: TOM and friends from FROM POLAND
"Pianist" is one of the best film directed by Polanski. Spilmann's story is told without sugar coating .This film performed beatifully and delivers the message about drama of war. Scenes of film are make truthfully and sadly . We make other people to see the film and we think the actually war is going to end happilly . We agree with decision to get 3 Oscars prize to the film.

***** What is there to say? There are no words.
Reviewer: Anonymous from New Jersey
The Pianist is a moving, stunning, incredibly realistic depiction of the Holocaust. I watched this movie and I just sat there staring at the screen in total awe for ten minutes after the movie had ended. Amazing. Adrien Brody truly deserved that Best Actor Oscar. There are no words to describe the impact that this film has left on me.

*** Yes, but Sadly
Reviewer: S Williamson from CT
I hesitate to write this but it's what I feel. Having seen so many moviea which deal with the holocaust, this one felt a bit empty. Yes the story and directing were great, and Brody did a fine job, too. But I think we could have been shown more about him, than the horrific, yet well known brutality of the nazi regime. I was no longer shocked by the violence I saw, in fact could easily tell who would be murdered next as people were pulled from lines. Terrible to say, to write, but we have seen this all before. It almost seems cliche now. Terrilbe to have happen to viewers. We should never forget. We should know what war is about and be shown in all the goryness we can stomache, but not in this way, for these reasons. Better to have left all that on the cutting room floor, and let us realize where he was from, and what he had been through with a few scenes of flashback.Brody could well have handled haunting details of what had happend to his family, with his facial expressions alone. Other than this, I could have listened to the man who played for brody just play for the 2 + hours. Wise indeed to have let the music play to the end of the credits...Had it been an actual recording of the survivor, well, I'd still be there crying...

***** Proof that the power of music can help someone survive the roughest situations
Reviewer: Rachel from Indiana
"The Pianist" is a wonderful story about one man's struggle to live for his music. Adrien Brody is an extremely talented actor and he played the part of Wladyslaw Szpilman superbly. I am a musician as well (I play the violin and cello) and I am glad that Hollywood has finally made a movie that is true-to-life and gives the perfect perception of a real person in a movie.

·The Pianist
Rated: R
Director: Roman Polanski
Starring: Adrien Brody, Emilia Fox, Michael Zebrowski, Frank Finlay
Genre: Drama

by Ken Hanke

Probably no filmmaker working today is so uniquely qualified to make a film about the Holocaust as Roman Polanski. The director himself lived through those years as a young Jewish man in Poland, his own mother dying in the Nazi gas chambers. It's natural that he should turn his attention to the subject with this film version of the autobiography of pianist Wladyslaw Szpilman.

The resulting film is one of the best – if not the best – on the subject. Though it inevitably invites comparisons with Spielberg's Schindler's List, Polanski's is a very different film, and a more deeply disturbing one that does not get the importance of its subject tangled up with the importance of the film itself. (This is perhaps why Polanski turned down Spielberg's original offer that he should direct Schindler's List.) However sincere and well-intentioned Spielberg's film may be, it's too clearly the work of a man deliberately making a movie in an effort to be taken more "seriously."

Polanski – regardless of how you feel about his work – has no need of proving himself a serious filmmaker. Moreover, Spielberg's film is essentially an outsider's view; Polanski's is an insider's take, and in more ways than one. It isn't just that Polanski was himse

Ⅷ 鋼琴家用英語怎麼說

pianist
[英] [ˈpɪənɪst][美] [piˈænɪst, ˈpiənɪst]
n.
鋼琴家; 鋼琴師; 鋼琴演奏者;
[例句]
Howard is a talented pianist
霍華德是個很有天分的鋼琴家。
[復數]pianists

Ⅸ 求《海上鋼琴師》影評（英語）、要100~200詞內、較為簡單。

It's a really heart-warming story of 1900. The legend of 1900 tells a gifted pianist who has never leave a ship but created a legendary life.As far as I am concerned,it is 1900 who gives piano living characteristic,piano is 1900's whole life,and 1900 is piano's soul.I don't know why 1900 didn't want to leave the ship,perhaps,it's his fate to accompany the big big sea,the sea is also a part of his life.1900's first love just like candy but with a little bit bitterness,he is too shy to show his love.As for friendship,he is lucky enough to meet a bosom friend,which us everyone want forever.besides,I love the main music in the film,it contains something of hopeness,sweety,but desolation.When I heard it,my tears fell…

Ⅹ 鋼琴家影評

根據波蘭猶太鋼琴家席皮爾曼的自傳，這部電影的導演是著名的羅曼•波蘭斯基——波蘭猶太人法國導演、編劇、製片人，這是一部從波蘭猶太人的角度闡述二戰的經典電影。

說到戰爭，尤其是二戰，大多數人的第一直覺是炮火，裝甲獅輪流戰斗，軍隊隊伍一起戰斗，戰爭英雄以最大無畏的精神詮釋令人難忘的故事，以一敵萬，一騎當千，帶領團隊贏得最後的勝利。

但當我們回顧真實的歷史時，我們會發現真正的戰爭只是英雄的舞台嗎？戰爭不是一場游戲，華麗而令人震驚的戰爭場景是殘酷而沮喪的戰爭生活，如果想真正了解戰爭的背面，想了解波蘭猶太人的傷疤，

那麼請不要錯過這部《鋼琴家》。沒有猶太英雄，沒有殘忍的納粹屠夫，沒有卑鄙的乞丐，只有殘酷的戰爭生活——視角中立，歷史場景，感情真摯，人性復雜。